Veteran lyricist and screenwriter Javed Akhtar has come out in support of the upcoming film Dhurandhar, which has been facing criticism from certain quarters for being a propaganda piece. In a recent statement, Akhtar questioned the selective criticism surrounding the film, asking why only some movies are labeled as propaganda while others are not.
Akhtar's Defense of Creative Expression
Speaking to the media, Akhtar emphasized that every film has a point of view and that it is unfair to single out Dhurandhar for its political messaging. He argued that filmmakers have the right to express their perspectives without being accused of propaganda. "Why is it that when a film aligns with a certain ideology, it is called propaganda, but when it aligns with another, it is celebrated as art?" he questioned.
The Controversy Around Dhurandhar
Dhurandhar, directed by a prominent filmmaker, has been in the news for its alleged portrayal of historical events from a particular political standpoint. Critics have accused the film of distorting facts and promoting a biased narrative. However, Akhtar believes that such criticism is often one-sided and fails to acknowledge the creative liberties that filmmakers take.
Akhtar further stated that the term 'propaganda' is used loosely to discredit films that do not conform to the critics' own ideological leanings. He pointed out that many acclaimed films worldwide have been accused of propaganda, yet they are still revered for their artistic value.
Support from the Film Fraternity
Several other members of the film industry have also come forward to support Dhurandhar. They argue that the film is a work of fiction and should not be judged solely on its political implications. The debate has sparked a larger conversation about the role of cinema in society and the boundaries of artistic freedom.
As the release date of Dhurandhar approaches, the controversy is expected to intensify. However, with influential figures like Javed Akhtar backing the film, it may find a more receptive audience.
